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How I Write: AnnaLee Conti

January 11, 2021 by Karin Beery Leave a Comment

Many people dream of writing books, but not many succeed. There are a dozen different excuses, but AnnaLee Conti hasn’t let any of them stop her. This former Alaskan started her journey with a typewriter and celebrates another book release this month.

Thank you for being here! Let’s start with what you write. How did you pick your genre?

After writing short stories, articles, and church school curriculum on assignment for Gospel Publishing House for 25 years, I published my first book in 2002.  Frontiers of Faith is the story of my grandparents, who went to Alaska as pioneer missionaries in 1917, and their adventurous 65-year faith journey. As I researched that book, I discovered stories of people they ministered to in Alaska that triggered my imagination to write my Alaska Waters Trilogy of historical Christian fiction (Till the Storm Passes By, A Star to Steer By, and Beside Still Waters). The trilogy is the life and death saga of a fictitious Norwegian immigrant family who battle the beautiful but often treacherous waters of early twentieth century Southeast Alaska to find love and happiness in the midst of tragedies.

My current project, which will release this month, is Footsteps of Faith, a sequel to Frontiers of Faith. It is the faith-building true story of God’s direction, provision, and protection in the lives of my parents and my husband and I as we followed in the ministry footsteps of my grandparents.

What’s the most difficult part of writing your genre? How do you work through those challenges?

To me, the most challenging part of writing historical fiction, as well as biography, is making sure it is historically accurate. I did family interviews and research online, in books, and in magazines. Since I grew up in Alaska, I knew the settings and much of the history firsthand.

How long does it take you to write the book? Edit it? Finalize it?

In 1982, my mother-in-law invited me to her home to write the first draft of my first book in one week, weaving together the short accounts my grandmother had written about their experiences and filling the spaces in between. I holed up in a bedroom in her house and wrote, using an electric typewriter, stopping only for meals, which she prepared. Due to the downturn in the economy, though, I was unable to find a publisher. In the next few years, I retyped the manuscript into a Smith-Corona word processor. In 2002, I discovered a print-on-demand publisher, First Books, now called Author House. I was able to get the word processor disc converted to Word, and my uncle paid to have it published. I reimbursed him from book sales.

For years, I’d been writing fiction in my head. In 2007, I joined a writer’s critique group at the local library to begin fulfilling my lifelong goal of writing novels. I learned a lot from that group that included published authors, and began writing a minimum of one chapter a week. My first novel took me about four to five years to write, edit, and finalize. The next two I completed in two years each.

During those years, I started a blog, “Nuggets of Faith,” including many stories from my life. When I read the book, How to Blog a Book, by Nina Amir, I decided to develop those stories into a memoir that is soon to be released as Footsteps of Faith.

What’s your favorite book on writing? What do you like about it?

I have four shelves of books on writing. They have all been helpful, but Writing Deep Scenes, by Martha Alderson and Jordan Rosenfeld, was the best, especially the section on writing emotion from a deep POV.

How do you prepare to write your books: pantser, plotter, both, something completely different? Describe your strategy.

Before I begin a book, I usually have a general idea of the beginning, middle, and end. I don’t make an outline per se, but I do develop a timeline since my stories have a historical setting with certain fixed dates. When I sit down to write, I reread the previous chapter to get me back into the flow of the story.

What advice do you have for new authors?

For a number of years, I adjudicated creative writing for fine arts festivals for teens in our denomination. The one recommendation I gave repeatedly is to study the art and craft of writing. Schools today do only a superficial job of teaching grammar, spelling, sentence construction, etc., so new writers must devote themselves to study on their own.

Then I tell them to read lots of good books and write a lot. Thirdly, I tell them to never give up. A quote by Raymond Obstfeld encouraged me: “The main difference between successful writers and wannabe writers is not talent but perseverance.”

I would add that “I am a failure” is different than “I failed.” We can learn from our failures if we don’t give up. Only when we quit trying are we truly a failure.

How do you self-edit your manuscripts? What does your revision process look like?

Even though no one recommends it, I tend to do a lot of editing as I write. My writing group gives me good feedback on content editing and revision. I worked in editorial at Gospel Publishing House for four years and learned how to do technical editing, copyediting, and proofreading, so I do that myself. I always print out my books and edit from hardcopy. My husband also reads my manuscripts and tags needed changes with sticky notes. My editors at my publishers rarely make changes.


An ordained minister, author, and teacher, AnnaLee Conti grew up in a missionary family in Alaska in the fifties and sixties. She earned a B.A. in music and elementary education at the University of Alaska Fairbanks and an M.A. in Bible at the Assemblies of God Theological Seminary. For 25 years, AnnaLee wrote many articles, stories, devotionals, and curriculum for Gospel Publishing House and has published five books.

For more than 35 years, AnnaLee served as Minister of Christian Education and Music in the churches she and her husband pastored in New York State. In addition, she served on leadership teams in Christian Education and Women’s Ministries at the state level, conducting seminars and organizing conventions. She has taught grade school, GED classes, Berean School of the Bible (an extension of Global University, Springfield, Missouri), and continues to teach classes in the New York School of Ministry, which trains pastors and teachers for ministry in local churches. AnnaLee and her husband, Bob, are now retired and reside in the Mid-Hudson River Valley. They have one son, who lives nearby, and five adult grandchildren, who give them much joy.

Website: www.AnnaLeeConti.com
Email: FrontiersofFaith@AnnaLeeConti.com
Blog: “Nuggets of Faith” at https://www.AnnaLeeConti.blogspot.com
Facebook.com/AnnaLeeConti.Author
Twitter: @AnnaLeeConti
www.goodreads.com/author/show/2562235.AnnaLee_Conti
amazon.com/author/annaleeconti

Filed Under: interview Tagged With: Alaska fiction, AnnaLee Conti, author interview, biography, historical fiction, How I Write, indie publishing, interview, writing process, writing tips

How I Write: Julie Arduini

November 30, 2020 by Karin Beery 2 Comments

Julie Arduini is a multi-published author with traditional and self-publishing experience, and today she’s sharing her knowledge with us. Thank you!

Welcome, and thank you so much for being here. Let’s start with: what do you write? How/why did you pick your genre?

My preference is contemporary romance. I did write one series, Surrendering Stinkin’ Thinkin’, with my teen daughter for YA/Women’s Fiction. I love reading romance, but overall I believe God picked the genre for me.

How long does it take you to: write the book? Edit it? Finalize it?

Does it take and should it take are two different time frames for me. I think barring any interruptions, I can write a book in three months, edit in a couple weeks, and finalize in a couple weeks. The reality is life gets in the way. I have a husband with a demanding job. I have two children who live at home. I’m active with my church. My family lives 300 miles away and because it’s just me and my sister helping our mother, I travel there as often as I can. My upcoming release, Anchored Hearts, has taken nearly two years to write.

If you’ve written multiple books, which was harder: the first book or the following books? Why?

I think the following are harder for me because they were never in my plans, only God’s plans. The first book, Entrusted, I pictured for almost two decades before writing it for publication. I didn’t take being an author seriously until I finished Entrusted and knew within the story there was an open door to write another book. Entangled was the next one, and I struggled. I really agonized on how to write the second one because I stressed myself out.

What’s your writing day like?

No day is the same. As I type, I’m out of state helping my sister move, so my writing is delayed for a few weeks. When I’m home, I tend to get everyone ready for their work/school, then exercise, shower, and read devotions and pray. By then it’s late morning, so I try to get a couple hours writing in before I have to make dinner and deal with home issues. Some evenings I can get back at writing. But it’s hard.

How do you prepare to write your books: pantser, plotter, both, something completely different?

I think I’m a little of both. I have a bulletin board with index cards everywhere. Each book has a card with the overall goal. Then I create cards for each character. If I have a certain chapter where I have goals I want to achieve, that gets a card as well. Otherwise, I have a team that prays for me, and I pray as well. I ask God to direct me and write from there.

If you’re self-published, why did you decide to go that route? If you’re traditionally published, why did you decide to go that route?

I was with a small publisher and enjoyed it, but I felt a nudge from God to go indie. In doing so I felt it would be more than a small business, but a ministry where everything I do—writing, speaking, or mentoring—can fall under my surrender and chocolate brand. Being self-published gives me that freedom to do all these things.

What advice do you have for new authors?

Set deadlines for yourself. Whether it’s a first draft, submitting to an agent, or handing chapters in o a critique group, deadlines are essential. Treat your writing like a hobby and you’ll get hobby results. Treat writing like your calling/business, and your work will show.

What does your revision process look like?

I go through a chapter at a time. Once I’ve cleaned it up, I send to two critique groups. Once I receive their marks, I make changes. I finish the manuscript and go over it a couple more times before sending to an editor. I make those changes, and then to BETA readers.  After they return their comments, I go over it one more time.


Julie Arduini loves to encourage readers to find freedom in Christ by surrendering the good, the bad, and —maybe one day—the chocolate. She’s the author of the contemporary romance series SURRENDERING TIME, (Entrusted, Entangled, Engaged,) as well as the stand-alone novellas, MATCH MADE IN HEAVEN and RESTORING CHRISTMAS. She also shares her story in the infertility devotional, A WALK IN THE VALLEY.

Her other latest release, YOU’RE BRILLIANT, is for girls ages 10-100, written with her teenaged daughter, Hannah, and is book 3 in their SURRENDERING STINKIN’ THINKIN’ series.She blogs every other Wednesday for Christians Read, as well as monthly with Inspy Romance. She resides in Ohio with her husband and two children. Learn more by visiting her at http://juliearduini.com, where she invites readers to opt in to her content full of resources and giveaway opportunities.

Facebook: http://facebook.com/JulieArduini
Facebook Author Page: http://facebook.com/JulieArduiniAuthor
Twitter: http://twitter.com/JulieArduini
Pinterest: http://pinterest.com/JulieArduini
Instagram: http://instagram.com/JulieArduini
Snapchat: https://www.snapchat.com/add/JulieArduini
Goodreads: http://goodreads.com/JulieArduini
Amazon: http://www.amazon.com/Julie-Arduini/e/B00PBKDRSQ/
BookBub: https://www.bookbub.com/profile/julie-arduini
Julie Arduini Newsletter: https://mailchi.mp/321e32f02e17/juliearduininewsletter

Filed Under: interview Tagged With: author interview, editing tips, Julie Arduini, writing fiction, writing tips

How I Write: Beth Steury

November 16, 2020 by Karin Beery 1 Comment

Did You Know …

Getting your first book published is thrilling, but the work doesn’t stop there. You have to keep writing, keep growing, and keep working hard.

Beth Steury’s here to talk about her writing strategies, her decision to self-publish, and her advice to new writers.

Welcome! How do you prepare to write your books: pantser, plotter, both, something completely different? Describe your strategy.

I think I’m a “plantser,” a combination of pantser and plotter. I definitely did not create detailed outlines for my YA series, but I did have a solid idea where the plot would go for books one and two. For the final book in the series, see the next question!

Which was harder: the first book or the following books?

Book three is proving to be the hardest. While the first two books came together with relative ease, the final book is presenting more of a challenge. I recently heard a well-known, much-published author admit, in reference to her current work-in-progress, “the plot is eluding me.” That’s me and book three! I love my characters and their journey. And I will persevere.

You’re self-published. Why did you decide to go that route?

I had interest from traditional publishers for my YA series, but when two different publishers ceased their fiction line while reviewing my full manuscript, I felt led to pursue indie publishing.

What’s surprised you the most about the publishing process?

While there is a fairly-steep learning curve involved in taking on the role of publisher, the reality proved to be easier than I anticipated. I entered the world of indie publishing with fear and trembling, so much so that I nearly talked myself out of taking the plunge. Discovering the Facebook group Christian Indie Authors proved to be incredibly helpful. It’s a great resource for information as well as support and encouragement.   

How did you find your freelance editor? How would you describe the experience?

I have worked with two freelance editors, both of whom I met through connecting and networking opportunities associated with American Christian Fiction Writers (ACFW). I think the best descriptors would be “valuable” and “worthwhile.” I feel I benefited, as did my series, from both experiences. My goal to produce a quality book/series was greatly aided by both of these experienced professionals.  

How do you self-edit your manuscript?

I begin each writing session by reviewing that I last wrote. I find that a stronger verb or more detailed noun will often immediately come to mind during this very initial stage of editing. Two major concerns of mine, consistent characterization and story flow, usually each get a dedicated edit. Typically, the all-important beginning and ending gets tweaked many times.

What conference do you most want to attend? Why?

I would have loved to attend the Mount Hermon Writers Conference, but I understand the conference has been permanently cancelled. Possibly the Write-to-Publish Conference in Wheaton, Illinois then. In general, I adore writers’ conferences! I relish the time spent with fellow writers. I love immersing myself fully in the writing world. I love how the conference experience allows me to focus only and fully on writing. A friend and I tucked ourselves away in a lake house to attend this year’s online ACFW Conference, to more fully capture the conference experience.

What advice do you have for new authors?

WRITE.

It doesn’t matter what you write or how well you write, simply write. Take advantage of every possible writing opportunity whether it be for the Women’s Ministries newsletter, the family Christmas letter, the neighborhood watch fundraiser flier. Explore topics and styles and genres. Try to discover what works best for you: daily word counts, timed writing sessions, legal pad scribbling, note-taking apps on your phone or a laptop. If turning the weekly grocery shopping list into a poem sounds fun, go for it.

Just WRITE.


Beth immerses herself in the YA world via substitute teaching, connecting with the teenage staff at the fast-food joint where she claims the back booth as her office, and reading YA fiction.

She’s a cheerleader for saving sex for marriage. Her “Waiting Matters … Because YOU Matter” blog helps people of all ages navigate the choppy waters of saving sex for marriage and “renewed waiting.” In her “Choices Matter” YA series, a relevant cast of high school-aged characters face real life choices and consequences in the often-messy, rarely simple world of friendship, family matters, and dating relationships. The mini books of the “Waiting Matters” series offer practical, candid advice for making wise life decisions. 

Beth is also a genetic genealogy enthusiast who used DNA to find her birth parents. Her journey to find and connect with her biological family is chronicled in “A Doorstep Baby’s Search for Answers”. Her “Slices of Real Life” posts find GOD in the day-to-day moments of real life. All of Beth’s writing endeavors can be found on her website at https://bethsteury.com

Facebook:       Beth Steury, Author
Twitter:           @Beth_Steury
Pinterest:         Beth Steury, Author
Goodreads:      Beth Steury, Author
Amazon:          Amazon Author Page

Filed Under: interview Tagged With: author interview, Beth Steury, indie publishing, self-publishing, writing advice, writing fiction, writing tips, YA fiction

How I Write: James R. Callan

October 19, 2020 by Karin Beery Leave a Comment

James R. Callan and I “met” online years ago, and it didn’t take me long to realize he’s a wealth of knowledge when it comes to writing and publishing a book. That’s why I’m thrilled to talk with him today, not just to share his knowledge with you but also to learn more about how he attained it.

James, thanks for letting me interview you.

Hi, Karin, and thanks for inviting me to be on your blog. It is always a pleasure to interact with you and your readers.

To start, what do you write? How did you pick your genre?

I have written several stand-alone mysteries. I have also, at the request of a publisher, written two books on writing. But for several years now, I’ve concentrated on two series. One is the Father Frank Mysteries, a cozy, Christian mystery series. The other series is the Crystal Moore Suspense Series. The Crystal books fall between suspense and thriller. Personally, I think of them as suspense books. But often, reviewers describe them as thrillers. And I am a member of the International Thriller Writers. I picked these genres because those are the ones I prefer to read.

How long does it take you to write a book?

It’s difficult for me to set the length of time it takes me to write a book. The reason for this is, I don’t know when to say I’ve started. A germ of an idea pops into my head. That may be an incident, a character, or something else. I let that rattle around in my brain for some time, perhaps many weeks. Different aspects of this original thought begin to appear. After a while, connections between various bits of information begin to form. Characters walk in. At some point, I begin to hear snatches of conversation related to the book. And once those bit of dialog become significant, I know it’s time to start writing this book.

So, when does the process of writing the book start? That’s why it’s hard for me to say how long it takes to write the book. Off hand, I give it about a year. That includes several versions. So, to be a little more specific, I’d say the actual writing of the text takes me six months. Then there is another four months to polish it. Beta readers, another month. Add another month for polishing after Beta comments. About a year.

How do you prepare to write your books: pantser, plotter, or both?

I’m a mixture of pantser and plotter. I like to have an ending in mind when I begin to write. This allows me to plug along, knowing I have an ending. But the truth is, the book rarely ends that way. As I go through the writing process, some of the characters become so real that they may suggest turns I had not planned. And almost every book winds up with an ending different from what I thought it might be when I started writing. I suggest that you spend enough time with major characters that they can actually influence where the book goes. You may be in charge of the story, but the characters are living inside the story. If they feel strongly enough to suggest a turn to you, listen. They’re probably right.

How do you combat writer’s block?

My suggestion is to start writing – anything. Well, maybe not checks. But write a blog post, a letter to a friend (okay, an email). Anything. Write a description of the last party your family or friends had. Write. And after a while, without even thinking about it, you will start writing on the book again.

Which was harder, your first book or the following books? Why?

I think my first book was the hardest. I had no idea how to go about it. I stumbled along, and threw out more than I kept. I never thought it was good enough and I found myself unable to proceed because the last bit I’d written needed more polishing. Now, I know to write the story. Then I go back and polish it.

What surprised you most about the publishing process?

What surprised me the most about the entire process was the need to be engaged in marketing from day one.

What advice do you have for new authors?

I would suggest to all beginning writers to keep this in mind as they begin to write. Begin to collect an email list. Begin to establish a social media presence. And study other talented and successful writers. Why are they successful? What about their formation of sentences, paragraphs, plots makes you think, “She really got that right.” And I’ll add my comments below on the revision process as an important point for new writers.

Speaking of that, what does your revision process look like?

Revision is not anyone’s favorite thing. But it is so important. So, take the attitude: “This is great. I’ve finished the book. Now, I just need to make certain all the pieces fit together.”

I make a scene descriptor file – a list of every scene in every chapter. To each scene, I attach the date and time, the major characters in the scene, anything unusual (storm, accident, snow, new character, etc.) and what I hoped this scene did for the book. (It must do one of these two things: move the plot along, or enhance the reader’s understanding of a character.

This is best done as you move through writing the book. But, if you haven’t done it along the way, go back, start at chapter 1 and make this scene descriptor file as complete as possible. I have caught discrepancies in the date, day or time. I have found a scene where later in the book, a character should have been in that scene, but he wasn’t.

Making this scene chart takes time, but it helps avoid those embarrassing comments when people tell you character X was dead the day before he walked into the meeting. And that does happen when you’re writing the first draft.

Thank you so much for sharing your experience with us!


James R. Callan’s fourteenth book should be released in November.  It is a Father Frank Mystery titled A Plot for Murder.  It centers on finding who murdered an unpleasant speaker at a writers conference. If you’d like to read the first few chapters, send an email to: jim@jamesrcallan.com with the subject “Tell me more.”

http://jamesrcallan.com/

Filed Under: interview Tagged With: author interview, editing tips, James R. Callan, writing a book, writing tips

How I Write: Amanda Cabot

September 21, 2020 by Karin Beery Leave a Comment

Some writers seem to be naturally gifted–they sit down and write, then submit an award-winning manuscript to their editors.

Not exactly. Amanda Cabot’s had more than 30 books published and she still takes the time to edit and revise. Want to know how she does it? Keep reading…

Hello, and thank you so much for being here! Let’s start at the beginning: what do you write? How did you pick your genre?

I write romances – short, long, contemporary, historical, with and without suspense elements. What my stories have in common are heroes and heroines who overcome seemingly insurmountable obstacles to reach the happily-ever-after (HEA) that romance readers demand from their books. As for how or why I chose to write romance, I’m not sure I had a choice. My favorite books to read were always those that had the classic HEA, so when it was my turn to write a book, it seemed natural to write a romance.

How long does it take you to: write the book? Edit it? Finalize it?

For me, the whole process (which I describe in more detail below) takes between six and eight months.

Which was harder to write: the first book or the following books?

The following books have been harder for me, simply because I strive to make each one better than the preceding one. That puts a lot of pressure on me to find new plot lines and characters who are distinctly different from the ones in earlier books. It’s hard work, but anything less would disappoint readers, and that’s not something I’m willing to do.

What’s your favorite book on writing?

It’s a toss-up between Dwight Swain’s Techniques of the Selling Writer and Christopher Vogler’s The Writer’s Journey. Swain, as his title indicates, outlines the basics of writing as a craft, while Vogler provides guidelines for effective plotting.

What’s your favorite writers conference? What do you like about it?

Although I haven’t been there in a few years, Rocky Mountain Fiction Writers’ annual Colorado Gold conference is one of my favorites. The hotel is one of the best venues I’ve found for conferences; the workshops are excellent, the attendees and presenters friendly. I always come home energized and enthusiastic about writing.

How do you combat writer’s block?

Writer’s block – what’s that? While I haven’t suffered from it in its classic definition, I used to reach the middle of the first draft and be convinced that what I was writing was the worst prose in the English language and that my editor would reject the book and demand that I return the advance. But, since I had a contract, I continued writing. Each and every time, when I finished the first draft and reread it, I realized that it wasn’t the worst prose in the English language. It was simply a first draft, and first drafts can – and will be – edited into good stories.

What advice do you have for new authors?

Never give up. If you choose the traditional publishing route, rejection is a fact of life. I won’t sugarcoat it: rejection hurts. But if you let it defeat you, if you stop sending out your manuscript because it was rejected, you’re only hurting yourself. Believe in your book and in yourself.

What does your revision process look like?

For me, writing is a multi-step process. I begin with a brief synopsis, which is my selling tool. Once I have a contract, I create a chapter-by-chapter outline, deciding which scenes will be in each chapter. Note: this is not cast in stone. It often changes during the actual writing process, but it provides a basic roadmap.

Next comes the first draft, which I describe as the skeleton. Like Halloween skeletons, it’s ugly, but it’s the framework for the story. I do not revise during the first draft, although I may make notes on pages I’ve already written about changes I want to incorporate into the second draft.

Before I begin the second draft, aka the flesh-and-blood phase, I read through the full manuscript in printed form, making more notes of things I want to change. The second draft is where I incorporate those changes, which may involve adding or deleting scenes. I also add more description and more emotion.

When I finish the second draft, I do another readthrough of printed pages, this time doing what I call the accessories stage – you know, adding makeup and jewelry. The modifications at this stage are minimal, but this is where I catch word repetition, punctuation errors, or other problems that a copyeditor would flag.

Once I’ve finished this phase, I read through the entire manuscript one more time, this time on the computer. It always amazes me how differently my brain sees sentences on the screen compared to on the printed page. It’s only when I’ve done this final readthrough that I’m ready to send the manuscript to my editor.


A young woman with a tragic past has arrived in town . . . and trouble is following close behind

Ten years after her parents were killed, Evelyn Radcliffe is once more homeless. The orphanage that was her refuge and later her workplace has burned to the ground, and only she and a young orphan girl have escaped. Convinced this must be related to her parents’ murders, Evelyn flees with the girl to Mesquite Springs in the Texas Hill Country and finds shelter in the home of Wyatt Clark, a talented horse rancher whose plans don’t include a family of his own.

At first, Evelyn is a distraction. But when it becomes clear that trouble has followed her to Mesquite Springs, she becomes a full-blown disruption. Can Wyatt keep her safe from the man who wants her dead? And will his own plans become collateral damage?

Suspenseful and sweetly romantic, Out of the Embers is the first in a new series that invites you to the Texas Hill Country in the 1850s, when the West was wild, the men were noble, and the women were strong.


Amanda Cabot’s dream of selling a book before her thirtieth birthday came true, and she’s now the author of more than thirty-five novels as well as eight novellas, four non-fiction books, and what she describes as enough technical articles to cure insomnia in a medium-sized city. Her inspirational romances have appeared on the CBA and ECPA bestseller lists, have garnered a starred review from Publishers Weekly, and have been nominated for the ACFW Carol, the HOLT Medallion, and the Booksellers Best awards. A popular workshop presenter, Amanda takes pleasure in helping other writers achieve their dreams of publication.

www.amandacabot.com
https://www.facebook.com/amanda.j.cabot
https://twitter.com/AmandaJoyCabot/
http://amandajoycabot.blogspot.com/

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Filed Under: interview Tagged With: Amanda Cabot, author interview, editing tips, interview, writing fiction, writing tips, writing tools

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A passionate lover of fiction, Karin doesn't just write novels, she helps others write their best stories! A certified substantive editor with the Christian Editor Connection, her goal is to help authors to put her out of business by equipping them with the tools they need to become better writers.

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