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How I Write: AnnaLee Conti

January 11, 2021 by Karin Beery Leave a Comment

Many people dream of writing books, but not many succeed. There are a dozen different excuses, but AnnaLee Conti hasn’t let any of them stop her. This former Alaskan started her journey with a typewriter and celebrates another book release this month.

Thank you for being here! Let’s start with what you write. How did you pick your genre?

After writing short stories, articles, and church school curriculum on assignment for Gospel Publishing House for 25 years, I published my first book in 2002.  Frontiers of Faith is the story of my grandparents, who went to Alaska as pioneer missionaries in 1917, and their adventurous 65-year faith journey. As I researched that book, I discovered stories of people they ministered to in Alaska that triggered my imagination to write my Alaska Waters Trilogy of historical Christian fiction (Till the Storm Passes By, A Star to Steer By, and Beside Still Waters). The trilogy is the life and death saga of a fictitious Norwegian immigrant family who battle the beautiful but often treacherous waters of early twentieth century Southeast Alaska to find love and happiness in the midst of tragedies.

My current project, which will release this month, is Footsteps of Faith, a sequel to Frontiers of Faith. It is the faith-building true story of God’s direction, provision, and protection in the lives of my parents and my husband and I as we followed in the ministry footsteps of my grandparents.

What’s the most difficult part of writing your genre? How do you work through those challenges?

To me, the most challenging part of writing historical fiction, as well as biography, is making sure it is historically accurate. I did family interviews and research online, in books, and in magazines. Since I grew up in Alaska, I knew the settings and much of the history firsthand.

How long does it take you to write the book? Edit it? Finalize it?

In 1982, my mother-in-law invited me to her home to write the first draft of my first book in one week, weaving together the short accounts my grandmother had written about their experiences and filling the spaces in between. I holed up in a bedroom in her house and wrote, using an electric typewriter, stopping only for meals, which she prepared. Due to the downturn in the economy, though, I was unable to find a publisher. In the next few years, I retyped the manuscript into a Smith-Corona word processor. In 2002, I discovered a print-on-demand publisher, First Books, now called Author House. I was able to get the word processor disc converted to Word, and my uncle paid to have it published. I reimbursed him from book sales.

For years, I’d been writing fiction in my head. In 2007, I joined a writer’s critique group at the local library to begin fulfilling my lifelong goal of writing novels. I learned a lot from that group that included published authors, and began writing a minimum of one chapter a week. My first novel took me about four to five years to write, edit, and finalize. The next two I completed in two years each.

During those years, I started a blog, “Nuggets of Faith,” including many stories from my life. When I read the book, How to Blog a Book, by Nina Amir, I decided to develop those stories into a memoir that is soon to be released as Footsteps of Faith.

What’s your favorite book on writing? What do you like about it?

I have four shelves of books on writing. They have all been helpful, but Writing Deep Scenes, by Martha Alderson and Jordan Rosenfeld, was the best, especially the section on writing emotion from a deep POV.

How do you prepare to write your books: pantser, plotter, both, something completely different? Describe your strategy.

Before I begin a book, I usually have a general idea of the beginning, middle, and end. I don’t make an outline per se, but I do develop a timeline since my stories have a historical setting with certain fixed dates. When I sit down to write, I reread the previous chapter to get me back into the flow of the story.

What advice do you have for new authors?

For a number of years, I adjudicated creative writing for fine arts festivals for teens in our denomination. The one recommendation I gave repeatedly is to study the art and craft of writing. Schools today do only a superficial job of teaching grammar, spelling, sentence construction, etc., so new writers must devote themselves to study on their own.

Then I tell them to read lots of good books and write a lot. Thirdly, I tell them to never give up. A quote by Raymond Obstfeld encouraged me: “The main difference between successful writers and wannabe writers is not talent but perseverance.”

I would add that “I am a failure” is different than “I failed.” We can learn from our failures if we don’t give up. Only when we quit trying are we truly a failure.

How do you self-edit your manuscripts? What does your revision process look like?

Even though no one recommends it, I tend to do a lot of editing as I write. My writing group gives me good feedback on content editing and revision. I worked in editorial at Gospel Publishing House for four years and learned how to do technical editing, copyediting, and proofreading, so I do that myself. I always print out my books and edit from hardcopy. My husband also reads my manuscripts and tags needed changes with sticky notes. My editors at my publishers rarely make changes.


An ordained minister, author, and teacher, AnnaLee Conti grew up in a missionary family in Alaska in the fifties and sixties. She earned a B.A. in music and elementary education at the University of Alaska Fairbanks and an M.A. in Bible at the Assemblies of God Theological Seminary. For 25 years, AnnaLee wrote many articles, stories, devotionals, and curriculum for Gospel Publishing House and has published five books.

For more than 35 years, AnnaLee served as Minister of Christian Education and Music in the churches she and her husband pastored in New York State. In addition, she served on leadership teams in Christian Education and Women’s Ministries at the state level, conducting seminars and organizing conventions. She has taught grade school, GED classes, Berean School of the Bible (an extension of Global University, Springfield, Missouri), and continues to teach classes in the New York School of Ministry, which trains pastors and teachers for ministry in local churches. AnnaLee and her husband, Bob, are now retired and reside in the Mid-Hudson River Valley. They have one son, who lives nearby, and five adult grandchildren, who give them much joy.

Website: www.AnnaLeeConti.com
Email: FrontiersofFaith@AnnaLeeConti.com
Blog: “Nuggets of Faith” at https://www.AnnaLeeConti.blogspot.com
Facebook.com/AnnaLeeConti.Author
Twitter: @AnnaLeeConti
www.goodreads.com/author/show/2562235.AnnaLee_Conti
amazon.com/author/annaleeconti

Filed Under: interview Tagged With: Alaska fiction, AnnaLee Conti, author interview, biography, historical fiction, How I Write, indie publishing, interview, writing process, writing tips

Writing the Breakout Novel by Donald Maass (book review)

December 28, 2020 by Karin Beery Leave a Comment

Take your fiction to the next level!

Maybe you’re a first-time novelist looking for practical guidance. Maybe you’ve already been published, but your latest effort is stuck in mid-list limbo. Whatever the case may be, author and literary agent Donald Maass can show you how to take your prose to the next level and write a breakout novel – one that rises out of obscurity and hits the best-seller lists.

Maass details the elements that all breakout novels share – regardless of genre – then shows you writing techniques that can make your own books stand out and succeed in a crowded marketplace.

You’ll learn to:

– establish a powerful and sweeping sense of time and place
– weave subplots into the main action for a complex, engrossing story
– create larger-than-life characters that step right off the page
– explore universal themes that will interest a broad audience of readers
– sustain a high degree of narrative tension from start to finish
– develop an inspired premise that sets your novel apart from the competition

Then, using examples from the recent works of several best-selling authors – including novelist Anne Perry – Maass illustrates methods for upping the ante in every aspect of your novel writing. You’ll capture the eye of an agent, generate publisher interest and lay the foundation for a promising career.


This was a re-read for me, as I’d read this book several years ago and wanted to revisit it after I had a few more years of writing experience. My opinion about the books hasn’t changed:

It’s a great book full of good information, but it’s NOT for new writers.

You really can’t write a breakout novel until you can successfully write a novel. As an editor, I see too many manuscripts from authors wanting to breakout, but they haven’t yet mastered the basics.

I also think it’s important to realize that breakout novels aren’t for everyone. Do they sell well? Absolutely (that’s why they’re breakouts)! But out of all of the examples he used, not many of them are contemporary, and not many of them are in the style/genre that I like to read.

Takeaway?

There’s some great info in the book and it can definitely help you improve your writing, but first you need to learn the basics. Then you need to figure out if this type of breaking out is what you really want to do.

I absolutely recommend reading this book, but not at the beginning of your writing career. Get your copy here!

Filed Under: book reviews Tagged With: book review, Donald Maass, writing fiction, writing tips, writing tools

How I Write: Julie Arduini

November 30, 2020 by Karin Beery 2 Comments

Julie Arduini is a multi-published author with traditional and self-publishing experience, and today she’s sharing her knowledge with us. Thank you!

Welcome, and thank you so much for being here. Let’s start with: what do you write? How/why did you pick your genre?

My preference is contemporary romance. I did write one series, Surrendering Stinkin’ Thinkin’, with my teen daughter for YA/Women’s Fiction. I love reading romance, but overall I believe God picked the genre for me.

How long does it take you to: write the book? Edit it? Finalize it?

Does it take and should it take are two different time frames for me. I think barring any interruptions, I can write a book in three months, edit in a couple weeks, and finalize in a couple weeks. The reality is life gets in the way. I have a husband with a demanding job. I have two children who live at home. I’m active with my church. My family lives 300 miles away and because it’s just me and my sister helping our mother, I travel there as often as I can. My upcoming release, Anchored Hearts, has taken nearly two years to write.

If you’ve written multiple books, which was harder: the first book or the following books? Why?

I think the following are harder for me because they were never in my plans, only God’s plans. The first book, Entrusted, I pictured for almost two decades before writing it for publication. I didn’t take being an author seriously until I finished Entrusted and knew within the story there was an open door to write another book. Entangled was the next one, and I struggled. I really agonized on how to write the second one because I stressed myself out.

What’s your writing day like?

No day is the same. As I type, I’m out of state helping my sister move, so my writing is delayed for a few weeks. When I’m home, I tend to get everyone ready for their work/school, then exercise, shower, and read devotions and pray. By then it’s late morning, so I try to get a couple hours writing in before I have to make dinner and deal with home issues. Some evenings I can get back at writing. But it’s hard.

How do you prepare to write your books: pantser, plotter, both, something completely different?

I think I’m a little of both. I have a bulletin board with index cards everywhere. Each book has a card with the overall goal. Then I create cards for each character. If I have a certain chapter where I have goals I want to achieve, that gets a card as well. Otherwise, I have a team that prays for me, and I pray as well. I ask God to direct me and write from there.

If you’re self-published, why did you decide to go that route? If you’re traditionally published, why did you decide to go that route?

I was with a small publisher and enjoyed it, but I felt a nudge from God to go indie. In doing so I felt it would be more than a small business, but a ministry where everything I do—writing, speaking, or mentoring—can fall under my surrender and chocolate brand. Being self-published gives me that freedom to do all these things.

What advice do you have for new authors?

Set deadlines for yourself. Whether it’s a first draft, submitting to an agent, or handing chapters in o a critique group, deadlines are essential. Treat your writing like a hobby and you’ll get hobby results. Treat writing like your calling/business, and your work will show.

What does your revision process look like?

I go through a chapter at a time. Once I’ve cleaned it up, I send to two critique groups. Once I receive their marks, I make changes. I finish the manuscript and go over it a couple more times before sending to an editor. I make those changes, and then to BETA readers.  After they return their comments, I go over it one more time.


Julie Arduini loves to encourage readers to find freedom in Christ by surrendering the good, the bad, and —maybe one day—the chocolate. She’s the author of the contemporary romance series SURRENDERING TIME, (Entrusted, Entangled, Engaged,) as well as the stand-alone novellas, MATCH MADE IN HEAVEN and RESTORING CHRISTMAS. She also shares her story in the infertility devotional, A WALK IN THE VALLEY.

Her other latest release, YOU’RE BRILLIANT, is for girls ages 10-100, written with her teenaged daughter, Hannah, and is book 3 in their SURRENDERING STINKIN’ THINKIN’ series.She blogs every other Wednesday for Christians Read, as well as monthly with Inspy Romance. She resides in Ohio with her husband and two children. Learn more by visiting her at http://juliearduini.com, where she invites readers to opt in to her content full of resources and giveaway opportunities.

Facebook: http://facebook.com/JulieArduini
Facebook Author Page: http://facebook.com/JulieArduiniAuthor
Twitter: http://twitter.com/JulieArduini
Pinterest: http://pinterest.com/JulieArduini
Instagram: http://instagram.com/JulieArduini
Snapchat: https://www.snapchat.com/add/JulieArduini
Goodreads: http://goodreads.com/JulieArduini
Amazon: http://www.amazon.com/Julie-Arduini/e/B00PBKDRSQ/
BookBub: https://www.bookbub.com/profile/julie-arduini
Julie Arduini Newsletter: https://mailchi.mp/321e32f02e17/juliearduininewsletter

Filed Under: interview Tagged With: author interview, editing tips, Julie Arduini, writing fiction, writing tips

How I Write: Beth Steury

November 16, 2020 by Karin Beery 1 Comment

Did You Know …

Getting your first book published is thrilling, but the work doesn’t stop there. You have to keep writing, keep growing, and keep working hard.

Beth Steury’s here to talk about her writing strategies, her decision to self-publish, and her advice to new writers.

Welcome! How do you prepare to write your books: pantser, plotter, both, something completely different? Describe your strategy.

I think I’m a “plantser,” a combination of pantser and plotter. I definitely did not create detailed outlines for my YA series, but I did have a solid idea where the plot would go for books one and two. For the final book in the series, see the next question!

Which was harder: the first book or the following books?

Book three is proving to be the hardest. While the first two books came together with relative ease, the final book is presenting more of a challenge. I recently heard a well-known, much-published author admit, in reference to her current work-in-progress, “the plot is eluding me.” That’s me and book three! I love my characters and their journey. And I will persevere.

You’re self-published. Why did you decide to go that route?

I had interest from traditional publishers for my YA series, but when two different publishers ceased their fiction line while reviewing my full manuscript, I felt led to pursue indie publishing.

What’s surprised you the most about the publishing process?

While there is a fairly-steep learning curve involved in taking on the role of publisher, the reality proved to be easier than I anticipated. I entered the world of indie publishing with fear and trembling, so much so that I nearly talked myself out of taking the plunge. Discovering the Facebook group Christian Indie Authors proved to be incredibly helpful. It’s a great resource for information as well as support and encouragement.   

How did you find your freelance editor? How would you describe the experience?

I have worked with two freelance editors, both of whom I met through connecting and networking opportunities associated with American Christian Fiction Writers (ACFW). I think the best descriptors would be “valuable” and “worthwhile.” I feel I benefited, as did my series, from both experiences. My goal to produce a quality book/series was greatly aided by both of these experienced professionals.  

How do you self-edit your manuscript?

I begin each writing session by reviewing that I last wrote. I find that a stronger verb or more detailed noun will often immediately come to mind during this very initial stage of editing. Two major concerns of mine, consistent characterization and story flow, usually each get a dedicated edit. Typically, the all-important beginning and ending gets tweaked many times.

What conference do you most want to attend? Why?

I would have loved to attend the Mount Hermon Writers Conference, but I understand the conference has been permanently cancelled. Possibly the Write-to-Publish Conference in Wheaton, Illinois then. In general, I adore writers’ conferences! I relish the time spent with fellow writers. I love immersing myself fully in the writing world. I love how the conference experience allows me to focus only and fully on writing. A friend and I tucked ourselves away in a lake house to attend this year’s online ACFW Conference, to more fully capture the conference experience.

What advice do you have for new authors?

WRITE.

It doesn’t matter what you write or how well you write, simply write. Take advantage of every possible writing opportunity whether it be for the Women’s Ministries newsletter, the family Christmas letter, the neighborhood watch fundraiser flier. Explore topics and styles and genres. Try to discover what works best for you: daily word counts, timed writing sessions, legal pad scribbling, note-taking apps on your phone or a laptop. If turning the weekly grocery shopping list into a poem sounds fun, go for it.

Just WRITE.


Beth immerses herself in the YA world via substitute teaching, connecting with the teenage staff at the fast-food joint where she claims the back booth as her office, and reading YA fiction.

She’s a cheerleader for saving sex for marriage. Her “Waiting Matters … Because YOU Matter” blog helps people of all ages navigate the choppy waters of saving sex for marriage and “renewed waiting.” In her “Choices Matter” YA series, a relevant cast of high school-aged characters face real life choices and consequences in the often-messy, rarely simple world of friendship, family matters, and dating relationships. The mini books of the “Waiting Matters” series offer practical, candid advice for making wise life decisions. 

Beth is also a genetic genealogy enthusiast who used DNA to find her birth parents. Her journey to find and connect with her biological family is chronicled in “A Doorstep Baby’s Search for Answers”. Her “Slices of Real Life” posts find GOD in the day-to-day moments of real life. All of Beth’s writing endeavors can be found on her website at https://bethsteury.com

Facebook:       Beth Steury, Author
Twitter:           @Beth_Steury
Pinterest:         Beth Steury, Author
Goodreads:      Beth Steury, Author
Amazon:          Amazon Author Page

Filed Under: interview Tagged With: author interview, Beth Steury, indie publishing, self-publishing, writing advice, writing fiction, writing tips, YA fiction

Repetition: Your Novel’s Nemesis

November 11, 2020 by Karin Beery Leave a Comment

There’s something comforting about eating turkey and stuffing every Thanksgiving. Knowing what to expect brings a sense of peace to our often-hectic lives, but that’s not always the case.


Repetition and consistency will kill your novel.

A common problem for many new writers is repetition. It comes in several forms. Today we’ll look at three of the most common repetitive issues and strategies for fixing and avoiding them.

Chapter Openings. Each chapter should open in a way that fits the characters and content of that scene. Far too frequently, however, each chapter starts the same way. The most common issue I see is the info dump—each chapter starts with 1-2 (or four!) paragraphs of information. Here are the two big issues with that type of opening:

  1. It’s often a description of action that took place between chapters. Instead of telling the reader what happened between chapters, back it up and show the reader what happened.
  2. It’s unnecessary/irrelevant. Each chapter doesn’t need to start in the same place (for example, with the main character waking up). If the details aren’t necessary to character development or they don’t support the plot, they can probably be cut.

Dialogue. There are two main ways in which authors repeat in dialogue.

A. They repeat what the other person just said. Not only does the dialogue sound unnatural, but it doesn’t flow well either. Example:

“How are you, Bill?”
“I’m fine, Kathy. And how are you?”
“I’m fine too. Did you make it to the tractor pull last night?”
“I did make it to the tractor pull!”

A better option…
“How are you, Bill?”
“I’m fine, Kathy. You?”
“I’m fine. Did you make it to the tractor pull last night?”
“I did!”

B. Characters have the same conversations over and over again. Bill and Kathy talk about the tractor pull, then Bill goes and tells John the same thing, then Bill calls his dad and tells him about it. You only need to explain what happened once. Then say something like, “Bill explained everything to John before calling and telling his dad.” There’s no reason to repeat the conversation. Your reader will understand.

Review your dialogue. If characters fall into category #1, cut those unnecessary words to tighten the conversation. If they fall into category #2, only show the conversation once. Summarize it after that.

Situations. Bill and Kathy talk on the phone, then go to the school, then meet up for coffee. John and Sandy talk on the phone, then go to the park, then meet up for dinner. In this instance, all of the characters do the same things: talk, meet, eat.

Another variation on repeated situations is when one character always does the same thing. No matter who Bill is with, they end up at the hardware store. Regardless of who Kathy is meeting, they always go to the bookstore.

While it’s true that most of us live pretty uneventful lives (and we probably go to the same three places repeatedly), that doesn’t make for interesting fiction.

Go through your story scene by scene and make a list of what your characters do. Do you see any patterns? If so, change something. You might have to introduce a new character or a new plot point, but it will be worth it to prevent your readers from getting bored and tuning out.

There you have it—the three most commonly repeated issues that tank an author’s manuscript.

There you have it—the three most commonly repeated issues that tank an author’s manuscript.

Don’t let it happen to you. Take some extra time to clean up these issues so you can present a stronger, cleaner story.

For more writing tips and author interviews, sign up for my newsletter—as a ‘thanks for joining’ you’ll get “Simple Tips for Finding the Right Editor for Your Project”! You can also find me on Facebook, Twitter, or at my website!

Filed Under: writing Tagged With: best practices, fiction writing, self-editing, writing a book, writing tips

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ABOUT ME

Editor. Teacher. Novelist.
A passionate lover of fiction, Karin doesn't just write novels, she helps others write their best stories! A certified substantive editor with the Christian Editor Connection, her goal is to help authors to put her out of business by equipping them with the tools they need to become better writers.

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