Write Now Editing

How I Write: Linda Shenton Matchett

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Linda Shenton Matchett has self-published. She’s been traditionally published. Today, she’s a hybrid author who plots her way through historical romance novels, and she’s sharing her tips and suggestions for new writers. Linda, welcome!

What do you write? How/why did you pick your genre?

I write historical Christian fiction, primarily romance, but I also have five mysteries. I didn’t pick my genre, so much as fall into it.

My first book was a novella as part a group blog project. I had several completed manuscripts at the time, but none were publication ready, so I wrote a retelling of the biblical story of Ruth set during WWII. I followed that up with three more biblical retellings, but struggled when it came to writing anything else. I tried my hand at romance, but about halfway through each story, I’d flail about, not sure what to do with my characters. They did a lot of eating and driving places! Then I attended a mystery writing conference, and that took care of my plot problem! But as much as I enjoyed writing (and solving) the mysteries, I missed the “happily ever after” that comes with a romance…which leads me to the next question.

What’s your favorite book on writing? What do you like about it?

Victorine Lieske’s How to Write a Swoon-worthy Sweet Romance Novel was a game changer for me. The book is a nuts-and-bolts primer that provides an executable process to writing a romance. Too many how-to books are more theory than practice which can be frustrating when trying to apply the concepts. In Ms. Lieske’s book, the first section is an introduction to romance from the “meet-cute” to building emotional intimacy and the climax. In the second half of the book, she takes one of her own books and shows how she uses each technique.

I agree—I love that book! Now, what’s your favorite writers conference? What do you like about it?

Sisters in Crime New England Crime Bake is the mystery writing conference I found when first looking for a conference I could attend between November and April, the “off-season” for the bed and breakfast I ran. It is a smaller conference than most, only about 300 attendees, which means newbies are rubbing elbows with veterans like Archer Mayer, Dennis Lehane, Hallie Ephron, and others.

In addition to panels, lectures, and round-tables, participants can sign up to pitch to agents or editors and get a manuscript critique from an editor or published author. Topics range from skills and craft to marketing and business. So far, I’ve attended the conference for ten years and have learned at least one thing if not more every year.

What’s your writing day like?

I work a full-time job, so I schedule my writing time around those hours. I’m typically at my desk by 6 a.m. and write until about 7:30 when I leave for work. I work an afternoon/evening shift on Thursdays, so I am able to write until lunchtime. (I love Thursdays!). I use Saturdays to handle my social media and marketing.

How do you prepare to write your books: pantser, plotter, both, something completely different?

I am definitely a plotter. The first thing I do is devise the general idea of the story, including the era/year and decide what jobs my protagonists will hold. Then I determine the location of the story. I use a spreadsheet to outline each chapter, indicating the chapter goal/aim (such as setting up their worlds, the meet cute, conflict, tension, etc.) then write a description of exactly what happens in each scene. The other columns are POV, Texture (weather, location), Date, Hook (the last sentence of the chapter that will keep the reader turning pages), and Research (topics that I need to research before I begin writing). Sometimes my characters will “wander off the page,” but for the most part the story is written as planned.

If you’re self-published, why did you decide to go that route? If you’re traditionally published, why did you decide to go that route?

I’m a hybrid author which means I’m both traditionally and self-published. Initially, I wanted the “validation” that came with being traditionally published, and I’ve had good relationships with my publishers, but I enjoy the artistic control that comes with self-publishing. I also appreciate that I can release a book faster as an indie than a publisher can. I use professional cover designers and editors, so my books are of the same high quality as those that are traditionally published. Self-publishing has also allowed me to offer my books in many more online retailers than my publishers use, so I’ve sold books all over the world, which is very exciting.

What advice do you have for new authors?

1) Read! Read lots of books in your genre, but try other genres as well.
2) Write on a regular basis. Skills are learned by practicing You can’t get better if you don’t practice.
3) Join a critique group (not made up of family and friend). Scary, but necessary. You need honest feedback about what works and doesn’t work with your writing.
4) Have a plan for your writing business, because it is a business. Know where you want to go and the steps you’ll take to get there.

If you’ve ever worked with a freelance editor, how did you find that editor? How would you describe the experience?

I’ve worked with three different editors, two of which were continuity editors for multi-author projects, and one of which is my regular editor. I found my editor by referral through a group of Christian indie authors. I’ve been working with her for nearly two years, and the experience has been fantastic. She is fast and effective. In addition to copy editing, she includes comments about story flow if something is confusing or seems out of order/time. She also includes comments when she finds something amusing or interesting, and she always says something encouraging when she returns the manuscript. I couldn’t ask for a better partner.

Linda Shenton Matchett writes about ordinary people who did extraordinary things in days gone by. She is a native of Baltimore, Maryland and was born a stone’s throw from Fort McHenry. Linda has lived in historic places all her life, and is now located in central New Hampshire where she is a volunteer docent and archivist for the Wright Museum of WWII.

Website/blog: http://www.LindaShentonMatchett.com
Facebook: http://www.facebook.com/LindaShentonMatchettAuthor
Pinterest: http://www.pinterest.com/lindasmatchett
Amazon Author Page: https://www.amazon.com/Linda-Shenton-Matchett/e/B01DNB54S0
Goodreads Author Page: http://www.goodreads.com/linda-shenton-matchett
BookBub Author Page: https://www.bookbub.com/authors/linda-shenton-matchett
Moments in History YouTube channel: https://www.youtube.com/channel/UC4b-o_6cD8HkHNyFP-wZwJg

How I Write: Karen Whiting

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Karen Whiting is BUSY! Despite having several books releasing in 2021 and 2022, she still took time to chat with me about her writing process.

Thank you so much for your time! What do you write? How/why did you pick your genre?

God picked it for me. It’s based on what I know in raising kids and being married, so it’s all about the family. He nudged me to share what worked. My brand is Growing Wholesome Families. My tag line is Growing Tomorrow’s Wholesome Family Today.

How long does it take you to write a book? Edit it?

That depends on the book and how many I am writing/editing at once. I like to have 6-9 months but have done books in two months when needed.

If you’ve written multiple books, which was harder: the first book or the following books?

The first book in a series of nonfiction is a bit harder as I have to develop the style, layout, and elements I want in the book.

What conference do you most want to attend? Why?

The Children’s Pastors Conference where I will speak in January because that’s my audience. Children’s ministry leaders make great influencers for my books for families and children. I think we limit ourselves when we only think writer conferences. We need to get with our readers and influencers.

That’s a great idea! Now, what’s your writing day like?

I write from 9 to 4 with breaks if I have interviews. I spend part of the day on marketing.

How do you prepare to write your books: pantser, plotter, both, something completely different?

I design my book and the contents with a spread sheet, so it’s all in one place and it is all sortable. That way I don’t repeat scriptures or activities, etc.. Once that is done, I can just start writing as soon as I have a contract (I never write more than a few devotions, opening units, or chapters before I have the contract). I also develop a proposal even if it is not needed (some of my editors don’t need one for another book in a series) as that sets up my marketing strategy and key book descriptions for marketing once the book is published.

If you have an agent, how did you find/pick your agent? What tips do you have for others looking for an agent?

Rachel Kent at Books and Such is my agent. I have had a number of agents retire. Since I am with Books and Such, if one retires, they match me up with another agent. Love the agency and my agent!

If you are seeking an agent, try to meet up at a conference and certainly have calls to ask questions such as: response speed, what do they do when they get your next manuscript, how do they manage contract negotiations, etc.. Communication is always vital.

What advice do you have for new authors?

Be willing to wait for God’s timing (do you want an Ishmael or an Isaac?). You can work on another book while waiting.

How do you self-edit your manuscript?

I put away the piece for at least a few days. Then I go through the major content to be sure I’m on focus and wrote in an engaging style. Then I check all the verbs. Then I check the format to be sure it is aligned with the rest of the book. I also recheck every scripture used plus I check for my word-of-the-day-itis. I tend to like a certain word each day and repeat it too often.

Karen Whiting (www.karenwhiting.com) writes to help families thrive. Her spring release Growing a Mother’s Heart encourages moms to overcome struggles and rejoice in the joys of motherhood.

She’s a certified writing and marketing coach, international speaker, former television host, and award-winning author of twenty-seven books for women, children, military, and families. She’s sold more than 800 articles for more than sixty periodicals and is a marketing columnist for The Write Conversation Blog and a writer for crosswalk.com. As a writing and marketing coach, Karen helps clients overcome obstacles, develop a personalized marketing plan, maximize strengths in writing and marketing, find direction, focus on what’s salable, and improve their writing ability.

She’s a mom of five (including two rocket scientists) and a grandmother. Karen enjoys adventure like camel riding in the Canary Islands, white water rafting in Australia, and scuba diving off Bermuda’s coast.

How to Write a Novel Using the Snowflake Method by Randy Ingermanson (book review)

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Are you writing a novel, but having trouble getting your first draft written? You’ve heard of “outlining,” but that sounds too rigid for you. You’ve heard of “organic writing,” but that seems a bit squishy to you.

Take a look at the wildly popular Snowflake Method—a battle-tested series of ten steps that jump-start your creativity and help you quickly map out your story. All around the world, novelists are using the Snowflake Method right now to ignite their imaginations and get their first drafts down on paper.

In this book, you’ll follow the story of a fictitious novelist as she learns to tap into the amazing power of the Snowflake Method. Almost magically, she finds her story growing from a simple idea into a deep and powerful novel. And she finds her novel changing her—turning her into a stronger, more courageous person.

Zany, Over the Top, and Just Plain Fun

How to Write a Novel Using the Snowflake Method is a “business parable”—a how-to guide written in story form. It’s zany. It’s over the top. It’s just plain fun. Most important, it’s effective, because it shows you, rather than telling you.

You’ll learn by example how to grow your story idea into a sizzling first draft.

You’ll discover:
* How to define your “target audience” the right way, so you know exactly how your ideal readers think and feel. Forget what the experts tell you about “demographics.”
* How to create a dynamite selling tool that will instantly tell people whether they’ll love your story or hate it. And you want them to either love it or hate it.
* How to get inside the skin of every one of your characters—even your villain. Especially your villain.
* How to find a deep, emotively powerful theme for your story. Do you know the one best point in your novel to unveil your theme—when your reader is most eager to hear it?
* How to know when to backtrack, and why backtracking is essential to writing great fiction.
* How to fire-test each scene to guarantee it’ll be high-impact—before you write it.

This was a weird little book, but quite informative. It was weird because it’s actually a story about how to write a novel.

Ingermanson creates a world in which Goldilocks wants to learn to write and Baby Bear teaches her. While she’s learning, Ingermanson utilizes all the steps and strategies he discusses to create a tension-filled story. At the end of the book, he walks you through each step to show you which parts of Goldilocks’s story align with which step so you can see how the process looks.

I wasn’t a huge fan of the Goldilocks story technique, but I loved the content in the book and will definitely use it in my own writing. I also found this book to be easy to read and digest; I will definitely recommend it to new authors looking for tips on strengthening their stories. Get your copy here!

(As an Amazon Associate I earn from qualifying purchases.)

How I Write: Cindy Ervin Huff

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Author Cindy Ervin Huff and I go way back. I can’t tell you how far back because, honestly … I can’t remember! We’ve known each other online for years, and recently we’ve had the pleasure of meeting IRL at writing conferences.

Today, Cindy’s here to talk about her writing and editing processes, challenges, and more!

Thank you so much for being here! What do you write? How did you pick that genre?

I write historical and contemporary romance. I could say I write it because I love Hallmark and Mary Connelly, but the truth is I love history. Plus, I care about the struggles people have that can make a relationship challenging. I address things like PTSD and abuse in a fictional setting. I’ve had readers tell me my characters are relatable and that I handle the sensitive subjects authentically without excessive details.

What’s the most difficult part of writing your genre?

There are tons of romances out there, and they range from very erotic to no touching at all. The hardest part of writing a romance is to produce believable characters—flawed not only on the inside but also imperfect on the outside—that readers are drawn to. It is so cliché reading about the guy with the ripped body and the girl with the perfect shape. That isn’t realistic. Most of my heroines don’t believe they are beautiful, but their love interests see them differently.

Romance is one of the biggest selling genres and finding the audience who loves to read my style of clean romance is the biggest challenge. But once I find my gals, they are so loyal and anxious for more.

How long does it take you to: write the book? Edit it? Finalize it?

I’d love to say a few months, but I’m not that energetic, and I want to produce something that is publisher ready. It takes three to six months to get the story written (I get interrupted, okay?) and the first two rough drafts finished. Then another couple months to edit it. I have three critique groups I run it through and my hubby. Then after I’ve corrected every typo, grammar error, and writerly mistake I can see before I become blind to them, then I’m ready to create a proposal and pitch it.

If you have written multiple books, which is harder: the first book or the following books? Why?

I have two series I’m working on now. I found the next book in the Healing Heart series easier to write until I got to the end. Then I struggled with providing the damsel-in-distress a totally different ending than the previous book. I’ve started the second book in the Village of Women series, and it isn’t flowing smoothly yet. The first book in a series sets the tone and then you have to keep the same standard or up your game so the reader wants more. I hate reading a series where it feels like the second novel is the same as the first novel’s storyline but with different characters.

For sure! What’s your favorite Writers Conference? What do you like about it?

I love Write to Publish. I’ve attended it for years because it’s right in my backyard. It is well organized and gives off a warm, friendly vibe. And not having to spend money on housing is a plus. I love the Florida Writer’s Conference, which I attend when I can afford to. It has great teachers and that same warm feeling being around fellow writers.

If you’ve ever worked with a freelance editor, how did you find that editor? How would you describe the experience?

I love working with a freelance editor. When my debut novel Secrets & Charades was contracted, I enjoyed working with the editor they provided. I hired her to work with me on another manuscript. I learned more about editing and writing craft while working with her than I did reading craft books.

How do you self-edit your manuscript? 

I run ProWriting Aid as I create to catch typos and grammar as I go along. Then when it is finished or at the minimum, a chapter is finished, I turn on the Read Aloud tab in word and listen to a monotone male reader as I follow along. It’s amazing the errors you still find.  Even in a monotone, a terrible sentence can be caught, because a terrible sentence stands out when read aloud. Then I’m ready for my hubby and me to go over it together. I print out the manuscript, and he takes the seat at the keyboard. I read it out loud and find dialog, etc. that needs fixing.

What does your revision process look like?

While hubby and I go over the manuscript, I delete lots of unnecessary things, shorten sentences, and aggressively tighten scenes. Then I send the manuscript to one of my critique groups and revise according to their suggestion. Then I clean it up again.

Cindy Ervin Huff is an Award-winning author of Historical and Contemporary Romance. She loves infusing hope into her stories of broken people. She is addicted to reading and chocolate. Her idea of a vacation is visiting historical sites and an ideal date with her hubby of almost fifty years would be live theater.

www.cindyervinhuff.com
https://www.facebook.com/author.huff11
https://www.instagram.com/cindyervinhuff/
https://twitter.com/Cindyhuff11Huff
https://www.tiktok.com/@cindyehuff?lang=en

How I Write: Ginny Dent Brant

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Writing a book is hard enough. Writing a book while battling cancer? I can’t even imagine!

Ginny Dent Brant doesn’t have to imagine–she did it. And she published it. And she’s won awards for it.

Today, she’s sharing tips and wisdom from her experiences as a nonfiction and cancer survivor.

Thank you so much for joining me today. Please tell us what you write. How/why did you pick your genre?
I write memoirs and Christian living books. I enjoy writing about real people. I’ve also written over 50 articles that are interviews with Christians about their faith. Some of those articles have made it to The Baptist Press, Townhall, and The Christian Post. My most popular articles were my tributes to Chuck Colson (carried by 15 different newspapers/magazines), Billy Graham, Robertson McQuilkin, and Dr. Avery Willis after they passed.

What’s the most difficult part of writing? How do you work through those challenges?
I wrestled with God over writing a book about my cancer journey. While meeting with the hospital chaplain about the dilemma of dealing with cancer, he told me, “Consider this a gift from God for you to help other people. You’re a writer and a speaker—think of all the people you could help.”

My response, “No way. I don’t want this gift.” But the more I researched, the more I felt compelled to share with others what I’d learned. It was difficult to do the hard work while with dealing with the side effects of treatments and medications.

In my first book, Finding True Freedom, the difficult part was deciding which intimate details to share and getting the okay from family members. A memoir about your own family can be like walking through a field with landmines.

How long does it take you to: write the book? Edit it? Finalize it?
Unleash Your God-given Healing required two years of research, one year of writing, one year of editing and polishing, and 18 months of promoting it. I’m still doing podcasts and interviews.

Which was harder: the first book or the following books? Why?
This recent book Unleash Your God-Given Healing was harder because it is loaded with footnotes to medical research. My editor made me type out every name noted in the research articles instead of using “et al”. I was also asked to recheck all of the footnotes several times, note the last date I checked the websites, and verify all the difficult to spell names!  Oh my! Memoirs that require a lot of footnoting can be difficult to write, and they also require the most of the writer including fiction techniques.

What’s your favorite writers conference? What do you like about it?
I’ve attended the Blue Ridge Mountain Christian Writer’s conference four times. They have a wonderful faculty, and many experts have poured their lives into me. It’s also a great place to make connections with other writers, publishers and agents. It’s only 90 minutes from my home.

If you’re self-published, why did you decide to go that route? If you’re traditionally published, why did you decide to go that route?
My first book was traditionally published. For this second book, I knew that Christian publishers do not usually publish books on health and wellness. I knew a “cancer book” would be difficult to get published. I remember going to writer’s conferences and seeing acquisition editors with signs saying, “I’ve heard enough cancer stories.”

I then submitted to eight publishers I had connections with. I heard from three immediately who did not publish health books. In a few weeks, I heard back from three other interested publishers who wanted to see more. One suggested I get a doctor to write commentary in each chapter. I took their advice. Three of these publishers took my book up the ladder. It got close with two publishers, but all of them wanted the doctor commentator to be the co-author.  I could not provide that. My book is from the patient’s perspective. It’s not about what the doctors do. It’s about the role the patient can play in their own prognosis. All the publishers said, “This book needs to be published.” That was reassuring.

At that time, I made the decision to self-publish. I went with Westbow Press because they’re the self-publishing arm of Thomas Nelson (Harper Collins). If my book sold well, they would begin distributing it. As of two weeks ago, Harper Collins is both distributing and promoting my book. After winning three awards (Golden Scrolls First, Selah Award Second, and Director’s Choice Award Second for Non-fiction overall), Westbow Press recognized my book with the Lighthouse Recognition Award.

Congratulations! What advice do you have for new authors?
Chuck Colson was the cover endorser for my first book. He advised me to start in the middle of a crisis. I did that in both books. He also advised me to use a theme from beginning to end to tie my story together.

In Finding True Freedom, the theme was dance. My father taught me to dance, he met my mother at a dance, and from a young age, we danced to the same tune, When I gave my life to Christ, we began spinning in different directions. My father tried to block my path, but God moved in his heart, and he became everything he forbid me to be including a missionary. In the end, we were dancing to the same beat with our heavenly Father.

The theme tied throughout my Unleash Your God–Given Healing book was an analogy to the Wizard of Oz. The analogy begins when my doctor shows me the MRI that looks like a tornado has invaded my body. Like Dorothy, I desperately want to get back home to a normal life. When discussing the eight steps, each one has a shared truth from God’s Word and a tie to the Wizard of Oz. For example, in the chapter on hydration, how ironic that Dorothy killed the Wicked Witch of the West with a bucket of water!

I would advise any authors to take Chuck Colson’s advice.

How do you self-edit your manuscript?
I was under cancer treatment during most of the process. I was actually making mistakes I’d normally not make due to brain fog. I asked five friends to go behind me and look for errors and recommendations. Two were English majors, two were nurses, and one was a cancer patient. They caught many mistakes. Mistakes are part of the process. I even found ten mistakes after my first book was published. Although mistakes are normal, you must do everything you can to catch them.

I couldn’t agree more. Thank you so much for joining me today!

Ginny Dent Brant is a speaker and writer who grew up in the halls of power in Washington, DC. She has battled cancer, ministered around the world, and served as a counselor, educator, wellness advocate, and adjunct professor. Brant’s award-winning book, Finding True Freedom: From the White House to the World, was endorsed by Chuck Colson and featured in many media interviews. Unleash Your God-Given Healing was released in May 2020 after her journey with cancer. It was written with commentary by an oncologist, and was recently given a Golden Scrolls Award and named a Selah Award Finalist.

Cancer prevention and wellness blog at www.ginnybrant.com 
Facebook  https://www.facebook.com/ginny.d.brant/
Instagram  https://www.instagram.com/ginnydentbrant/

ABOUT ME

Editor. Teacher. Novelist.
A passionate lover of fiction, Karin doesn't just write novels, she helps others write their best stories! A certified substantive editor with the Christian Editor Connection, her goal is to help authors to put her out of business by equipping them with the tools they need to become better writers.

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Karin understood my advertising and marketing writing needs and accomplished the project in record time. She asked all the right questions up front to equip herself with enough … [more]

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Substantive Fiction Editing: A substantive edit looks at the big picture. Start here to tackle the big issues before moving on to the nit-picky details. Substantive edits not only point out … [more]

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Lover of all things fiction, I also love University of Michigan football, the Detroit Lions, Tigers, and Red Wings, kayaking, gluten-free cupcakes, and my husband.

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